Why We Treat Everyday Like Earth Day: Beautiful, Simple Ways To Be More Environmentally Friendly

*This is a guest blog post, edited by Joel Cherrico and written by Macy Kelly: CSB/SJU Marketing Intern at Cherrico Pottery. In this post, Macy addresses the ways we practice being eco-friendly at Cherrico Pottery.

I’ve never met anyone who loves getting a box filled with packing peanuts. We know, they make a mess. At Cherrico Pottery, it’s important that we deliver your pottery as safely and as eco-friendly as possible. That’s why our peanuts are 100% biodegradable. Sustainability is a fun challenge that we take on in multiple parts of the Cherrico Pottery process.

Packing and Shipping

Up to 40% recycled content in bubble wrap to initially wrap the pottery.
“Lightweight” boxes instead of double walled boxes cut our cardboard use almost in half.
Packing and shipping with local egg cartons saves materials and money, even though we only use them occasionally.
100% biodegradable peanuts to secure and protect the pots in boxes. They not only decompose in water leaving no toxic waste, but they are FDA compliant and made with “static-free organic starch.”

During Kickstarter, we used over 1,000 egg cartons to ship 1,000 pots. Egg cartons can always be requested via email during the checkout process in place of the biodegradable packing peanuts. When a shipment from Cherrico Pottery arrives, you will see the logo hand-painted on each box. This is because there is no point in branding with paper stickers or stamps on the boxes when we strive to be as unique and real as possible, while keeping the artistic vibe alive.

In The Studio

Joel sacrificed natural gas kiln firings and Copper Red Glazes, even though he used to get gorgeous results. You can view and learn about them in these three blog posts:

https://www.cherricopottery.com/2012/11/25/gas-firing-stoneware-pottery-at-cone-10-natural-variations-in-the-copper-red-glaze/

https://www.cherricopottery.com/2012/09/03/how-to-glaze-ceramics-like-a-painter-but-let-the-kiln-do-the-dripping/

https://www.cherricopottery.com/2012/04/24/copper-red-glazes-the-elusive-bright-red-pottery/

His business model is devoted to long-term environmentalism. Gas kilns are easier to load and can produce beautiful pottery in bigger batches, but natural gas is a non-renewable resource. It doesn’t give opportunities to utilize free solar energy raining down from the sky. Electricity does. The electric kiln is not more environmentally friendly currently, but solar energy has the power to change that.

Kiln placement is another simple, smart choice that saves energy. Joel’s kiln is located in the middle of the studio, so it doubles as a radiant heater all winter. He also dries pottery using the heat of the kiln, saving energy and money every time he fires by being able to turn off other heaters.

Saving energy can be simple and beautiful, even with an act as simple as bringing pots outside to dry in the sun instead of using fans.

After taking a three day workshop from Steven Hill Pottery, Joel learned how to successfully apply up to 8 glaze layers on one pot. In this video, you can learn some of Steven Hill’s process too.

Cosmic Mugs have 4-5 layers of glaze each, but Joel chose not to purchase steel spray guns that Steven uses to get his magnificent colors. Spray guns require energy to fill a compressed air tank, as well as a spray booth to catch the airborne glaze chemicals. Instead, Joel created innovative ways to get similar effects simply using brushes.

It’s the same reason Joel uses kick wheels to make pottery rather than electric, motorized wheels.

Why Donations Relate to Environmentalism

Businesses aren’t required to use environmentally friendly materials or donate anything, ever. Cherrico Pottery has shipped worldwide to 16 countries, so we think it is only right to explore how we can help make the earth a better place. All of these donations are impacting the world in positive ways:

Moon Mug auction with a 20% donation to the B612 Foundation: b612foundation.org
GWR Pot #1 with a 20% donation to St. Jude’s Children’s Hospital
GWR pot #159 with 20% donation to three different charities shown in the product description.
Monthly membership and occasional larger donations to The Planetary Society: planetary.org
Monthly membership and occasional larger donations to The American Craft Council: craftcouncil.org

What’s Next?

Our goal is to break ground on a new pottery studio that supports future pottery production with 100% solar fired pottery. This is a ridiculously ambitious goal, but not out of reach. If Tesla can debut an entire product launch on stored sunlight, then it must be possible to power a kiln.

If you want to help us accomplish this goal, please consider buying a pot.

🎁🎉 April Pottery Giveaway 🎁🎉

What’s one thing you do to encourage environmental sustainability? Leave a comment below before this Friday telling us one thing you do to try and be more environmentally friendly in your daily life, your job, hobbies, travel, anything! Joel will pick the best 3 comments and give them one of three pots ($459 value) totally free: World Record planter #26/159 ($159 value + $20 packing & shipping), one Cosmic Mug inspired by a Planetary Nebula ($125 + $15 packing & shipping) and one Cosmic Mug inspired by a Molecular Cloud Cluster ($125 + $15 packing & shipping).

To enter, you must leave one, genuine comment, or the moderator will not approve your comment or include you in the giveaway. Please use your PERSONAL name or initials and not your business name, as the latter comes off like spam. Please allow 24-48 hours for your comment to appear. You must also be on our email newsletter distribution list to qualify, so please make sure you are signed up. Joel will pick one winner Friday around 6pm Central and you will receive the pottery shipped to you nearly anywhere globally, totally free.

*UPDATE 4/28: ENDED. Congrats Holly, Liz and Kelsey and thanks so much to everyone who participated! Did you know that the word, “solar” was mentioned on this post/comments about 27 times and the words “recycle” and “recycling” and “recyclable” were mentioned about 275 times WOW! I hope you had as much fun reading these comments as I did. – Joel

28 August, 201528 August, 2015

Cosmic Friday: Free Cosmic Mugs, Studio Shot and One Cool Quote

As a thanks for subscribing to my email list, I decided to send one Cosmic Mug to one random person each week- totally free. My goal is to give more people the experience of using this new, valuable type of artwork. This week’s winner has an email waiting in your inbox, ready to receive this free mug anywhere in the continental United States!

Sorry I can’t afford to ship free mugs worldwide yet. If you’re dying to get your hands on a Cosmic Mug, I have just a few jewels available in my online store here. Feel free to use this 20% off coupon code as a thanks for subscribing to my mailing list: COSMIC20

Otherwise, be sure to enter into the Triple Cosmic Mug Giveaway running through the end of August- definitely your best odds at winning a free mug!

By November, I’m planning to have a HUGE selection of Cosmic Mugs available at HUGE price discounts, ready in time for Christmas delivery.

Studio Shot

Each “Cosmic Friday” you will get a short email where I give away one free Cosmic Mug, show one cool process shot from my studio and share a quote that I found during my artistic research. Enjoy!

cosmic platter — The first “Cosmic Platter” – a huge wall piece with dark, starry night glazing…the first of many!

“In many ways, fame is the industrial disease of creativity. It’s a sludgy byproduct of making things…It’s my job as an artist to be understood, and I would rather fight for the audience to have a good experience.”

– Mike Myers, qtd. in Marc Maron’s podcast.

6 February, 2015

American Craft Council, “A Potter’s Journey: The Local Blend Business Partnership”

This is the seventh post in a series entitled, “A Potter’s Journey” for American Craft Council’s website. This post tells the story of growing my pottery businesss with the help of a mutually beneficial partnership with a local coffee shop, the Local Blend:

“A Potter’s Journey: The Local Blend Business Partnership”

17 October, 201427 October, 2014

Cosmic Pots: The “Goldilocks Glaze”

Thirty-four years ago, astronomer and Cosmos host Carl Sagan made his famous claim:

“If you wish to make an apple pie from scratch, you must first invent the universe.” – Carl Sagan. “The Lives of the Stars.” Cosmos: A Personal Voyage. PBS. 1980.

Sagan could have been talking about making anything from scratch. His goal was to convey that everything on earth, everything in the universe, is made up of precise combinations of the most basic elements, and those elements were created in stars’ nuclear cores. We could also say, “If you wish to make a pot from scratch, you must first invent the universe.”

These star-forged elements combine to form all the components of ceramics: the different strains of clay (silicon and iron), the water used in throwing (oxygen and hydrogen), the arboreal ingredients of glazes (calcium), and even the potter himself (carbon). Entire books could be written focusing solely on one of these ceramic elements.

Copper, for example. Copper red glazes have been meticulously pursued and produced since the fifteenth century in China. The new host of Cosmos, Neil deGrasse Tyson, often analyzes the concept of a “Goldilocks planet” – a planet which has the precise conditions for possibly sustaining life. A successful copper red glaze is a “Goldilocks glaze.” Everything in both the recipe and the firing must be perfect.

Joel Cherrico Pottery, Copper Red Glazes, Gas Kiln Firing — Caution: No room for error.

As Sagan and Tyson have taught us, science is found in everything we do. Baking an apple pie from scratch, developing a new drug, and mixing and firing glazes all rely on experimentation, creativity, and chemical reactions. A potter doesn’t need a degree in chemistry, but he uses some pretty cool science to produce copper red glazes.

Nowadays, gas-fired kilns produce the best conditions for copper red glazes, but ancient Chinese potters created their beautiful pieces using only wood-fired kilns. Many potters do not have regular access to gas- or wood-fired kilns, and use electric ones instead. Electric kilns eliminate the need for constant temperature monitoring, but they are unable to create the atmosphere copper red glazes require.

48 x 40 in. wall poster for Handmade Grounds — Hello in there!

Copper red glazes need to be fired to a temperature called “cone 10.” This photo shows three cones (small pieces of clay), set up inside a gas-fired kiln. Each of these pieces is made from a different factory-produced type of clay formulated to melt at a certain temperature. A device called a pyrometer can be used to measure the temperature of the air inside the kiln, but what really matters is the temperature of the clay, hence the use of cones. When cone 10 melts, the potter knows the clay is roughly 2345 °F.

Even inside the same kiln, the atmosphere unavoidably varies. The pots below all had the same glaze and firing, but were placed in different areas of the kiln.

The green color on the right also occurs when firing a copper glaze in an electric kiln.

Color, just like copper, depends on the stars. Light from our sun strikes objects on earth, and those objects absorb some wavelengths of light and reflect others. The wavelengths they reflect are the colors we see. As Tyson puts it:

“Color is the way our eyes perceive how energetic light waves are.” – Neil Degrasse Tyson. “Hiding in the Light.” Cosmos: A Spacetime Odyssey. Fox. 2014.

Thankfully, potters did not have to create the universe to make pots from scratch. Their ingredients are already present in the cosmos, swirling in the air and lurking in the earth, waiting for them.

Chuquicamata Till Niermann — Chuquicamata Copper Mine in Chile. (Image: Property of Till Niermann, located in the Wikimedia Commons.)

31 March, 201423 June, 2015

Cherry Blossoms – April 5

On April 5th, from 6:00-9:00pm, come see Joel’s collaborative painted stoneware on display at Paige Dansinger’s “Cherry Blossoms” gallery exhibition in the Minneapolis Skyway Mall.

Paige-Dansinger-Paintings-Joel-Cherrico-Artist-Tableware-2013-Gallery-Paige1

Gallery Paige is located at 811 LaSalle Ave in Minneapolis. The space functions as both a gallery and studio for Dansinger. A world-renown painter and digital artist, Dansinger was included in the museum exhibit, Gutai: Spledid Playground, Card Box, at the Solomon R. Guggenheim Museum, NYC. She has also performed her artwork during residencies at the Worcester Art Museum in Massachusetts, the DeCordova Sculpture Park and Museum in Boston and New York’s Brooklyn College.

Paige Dansinger, Artist Collaboration, Cherrico Pottery

For her current collaboration with Cherrico Pottery, Joel throws clay bowls, platters, and plates for Paige to paint on with glaze materials. He then brings the painted bisqueware to his studio in St. Joseph for firing, and returns the finished pieces to exhibit in Gallery Paige.

Collaborations like these bring Joel’s work in conversation with the larger contemporary art world. His work with Paige not only diversifies his art, but Paige’s paintings come alive on Joel’s 3D pottery surfaces, meant for display and as functional dinnerware. When it comes to the collaboration, Joel says he feels honored to create pottery as canvases for Paige’s iconic paintings.

Check out the process shots below to see how these two artists come together to make beautiful works of art:

INSTAGRAM Paige Dansinger, Joel Cherrico, Image — Joel first brings unglazed bisqueware to Paige’s studio for her to paint with glaze materials. Raw clay becomes bisqueware after it’s been fired once.

Paige then paints each piece using underglaze materials. Her paintings typically feature a pallet of bright, playful colors and images.

Paige Dansinger, Joel Cherrico, Image — After Paige paints each piece with underglazes, Joel brings the painted bisqueware back to his studio and covers it with a coat of clear, glossy glaze. This will give the finished pieces a shiny, smooth surface after firing.

Paige Dansinger, Joel Cherrico, Image 6 — At this point, the pieces are ready for 2200 degree firing. Joel uses an electric kiln to fire all his collaborative painted stoneware.

The finished pots will be exhibited April 5th at Gallery Paige in Minneapolis!